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Label: Secretly Canadian

The War On Drugs push the boundaries of a quintessentially American music. Guitars soar and colorful clouds roll past whatever sun or moon you are cruising under, through whatever old bar you are reveling within. The War On Drugs point toward a tireless horizon in the distance that you will never reach but are compelled to chase. It's a tail you've chased your whole life and will continue chasing because your life is more poetic when you are moving toward it - your cinematography is more rich. Wagonwheel Blues is one of those albums that each of us holds onto tightly. They get moved from apartment to apartment through the years; they are songs on the radio that follow us from town to town. They evoke waves of nostalgia and grow more poignant with each new bump along the road.

<iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=4187025810/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/" seamless><a href="https://thewarondrugs.bandcamp.com/album/wagonwheel-blues">Wagonwheel Blues by The War On Drugs</a></iframe>

WAR ON DRUGS, THE - Wagonwheel Blues LP

Label: Trojan Records

A1	Culture - Two Sevens Clash
A2	Dennis Brown - Wolf And Leopards
A3	Gregory Isaacs - Mister Cop
A4	Junior Delgado - Sons Of Slaves
A5	Lee 'Scratch' Perry - Disco Devil (7" Mix)

B1	Johnny Clarke - None Shall Escape The Judgment
B2	Marcia Griffiths - Steppin' Out Of Babylon
B3	Prince Far I - Under Heavy Manners
B4	Junior Byles - Curly Locks
B5	Michael Rose - Guess Who's Coming To Dinner


V/A - Trojan Records: Roots Vol 1 LP

Label: Jagjaguwar

Where are we headed? What are we consuming, how is it affecting us, and why does everything feel so bad and weird sometimes? These are some of the questions posed on Ruban Nielson's fourth album as Unknown Mortal Orchestra, Sex & Food. Recorded in a variety of locales from Seoul and Hanoi to Reykjavik, Mexico City, and Auckland, Sex & Food is a practical musical travelogue, with local musicians from the countries that Neilson and his band visited pitching in throughout. Sex & Food is the most eclectic and expansive Unknown Mortal Orchestra release yet, from the light-footed R&B of "Hunnybee" to the stomping flange of "Major League Chemicals." "If You’re Going to Break Yourself" and "Not in Love We're Just High" chronicle the effects of drugs and addiction on personal relationships, while the lyrics "Ministry of Alienation" drip with modern-day paranoia like the silvery guitar tones that jewel the song's structure.

<iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=3868454649/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/" seamless><a href="https://unknown-mortal-orchestra.bandcamp.com/album/sex-food">Sex &amp; Food by Unknown Mortal Orchestra</a></iframe>

UNKNOWN MORTAL ORCHESTRA - Sex & Food LP

Label: Seeker

Run the Jewels - Hip-hop's preeminent collaboration between veteran rhyme-slayers El-P and Killer Mike —have gone from a whim-driven underground rap project to a worldwide sensation since the release of their 2013 debut Run The Jewels. Mixing the industrial grime of New York City with the vibrant bounce of the dirty South, they forge hip-hop's future while adhering to the core tenets of its bedrock: gymnastic displays of skills, incendiary political rhetoric, merciless braggadocio, battle-honed assholery, R-rated punchlines and a back-and-forth that brings the interplay of the shell-toe Adidas era screaming into our contemporary nightmare.

Tearing up the music industry rulebook, their self-titled 2013 debut was originally released through a series of website-crashing free album downloads. Featuring Outkast's Big Boi on Banana Clipper and Prince Paul on Twin Hype Back, it's a "rough and rabid ride"; a "swaggering victory lap for two artists at the peak of their creativity"; and been dubbed "one of the best hip-hop records of 2013"

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RUN THE JEWELS - Run The Jewels LP (Orange vinyl)

Label: XL Recordings

Further blurring the boundaries between electronic music and rock, Ratatat's self-titled debut album mixes Evan Mast's fractured but propulsive beats and woozy analog synths with Mike Stroud's loud, yet somehow subtle, guitars. Come to think of it, "loud yet subtle" neatly sums up the instrumental duo's approach — while their sound can pack a formidable punch, it's also atmospheric. Often, the duo is both aggressive and atmospheric within one song, as on the album's opening track, "Seventeen Years": It begins as a dancefloor stormer, with in-the-red guitars and keyboards and a beat that sounds like it's gasping for air, until an analog synth-driven breakdown turns it into something more moody and bedroom-bound. More laid-back than dance-punk but livelier than post-rock, Ratatat's shuffling rhythms and pensive keyboards clearly owe a debt to Mast's work as E*vax, but other influences pop up too. Comparisons have been made to Daft Punk, and for the most part, they're justified; with its busy guitars, much of Ratatat plays like an indie spin on "Aerodynamic" from Daft Punk's Discovery, albeit with a slightly less arch feel. The bittersweet naïveté that floats through the album also recalls a more roughed-up version of Plone's nursery rhyme electronica, particularly on "Cherry," the sleepy epic that closes Ratatat and pays tribute to the band's former name. A slight hip-hop vibe also pops up from time to time, most clearly on "Crips"' insistent bass and rattling beat, but also in the spoken word interludes that dot the album.

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RATATAT - Ratatat LP

Label: Atlantic

For their last few years of ubiquity, Portugal the Man still managed to sneak up on us. 

The Portland, Ore., quintet built a reputation in the most organic of ways, releasing a lot of music over a long period of time. Never breathlessly reviewed, and only recently owning any commercial relevance, it's been far too easy to write them off as a bunch of croaky potheads thriving in Edward Sharpe's playing field. That would probably continue if eighth album Evil Friends wasn't so defiantly solid. 

It's using the sodden, wilted, stadium-folk form, but dig deeper and "Modern Jesus" will shake your bones. Lifted hands? That's the delectable campfire float "Sea of Air." And would you ever turn off "Holy Roller"? 

Sure, they're not very hip, but Portugal the Man are anything but slouches, and Evil Friends is proof that some bands get big for being good, nothing else.

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PORTUGAL. THE MAN - Evil Friends LP

Label: Atlantic

Neo-psych tinkerers Portugal. The Man make their major-label debut for Atlantic with their sixth album, In the Mountain in the Cloud. Equal Vision will be releasing the album on vinyl. Produced by John Hill and mixed by Grammy winner Andy Wallace, the album adds big-label polish to their expansive, experimental sound.

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PORTUGAL. THE MAN - In The Mountain In The Cloud LP

Label: Epitaph

Drift, their fifth studio album sees PIANOS BECOME THE TEETH taking another sonic step forward to craft a musical statement that truly transcends genres.

For the recording of Drift, the band took it back to basics, starting at a family-owned cabin in the woods of Virginia, that they transformed into an analog recording studio. The band lived together, recorded together and ate dinners together where they would listen to the day’s recordings, talk about them and pull them apart and reworking them, creating what may be their finest album to date.

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PIANOS BECOME THE TEETH - Drift LP (Indie Exclusive Red vinyl)

Label: Warner

On exclusive cream coloured vinyl

Grammy Award winning band Muse release their long-awaited ninth studio album Will Of The People via Warner Records. Of the album, Muse frontman Matt Bellamy says, “Will Of The People was created in Los Angeles and London and is influenced by the increasing uncertainty and instability in the world. A pandemic, new wars in Europe, massive protests and riots, an attempted insurrection, Western democracy wavering, rising authoritarianism, wildfires and natural disasters and the destabilization of the global order all informed Will Of The People. It has been a worrying and scary time for all of us as the Western empire and the natural world, which have cradled us for so long are genuinely threatened. This album is a personal navigation through those fears and preparation for what comes next.”

With Muse being Muse, there is NO bowing to any singular genre. The album’s title track “Will Of The People” brings playful provocation to a dystopian glam-rocker while there is an innocence and a purity to the nostalgic electronic textures of “Verona.” From the visceral thrill of “Won’t Stand Down,” to the industrial-tinged, granite heavy riffs of “Kill Or Be Killed,” or the lightning-bolt rush of “Euphoria,” the album concludes with the frenetic finale of the brutally honest “We Are Fucking Fucked.” On the band’s new single “Compliance,” Bellamy says, “

Will Of The People was produced by Muse. Key collaborators include mixing on eight tracks by the multiple Grammy Award winner Serban Ghenea; mixing from Dan Lancaster on “Won’t Stand Down,” and additional mixing on “Kill Or Be Killed” from Aleks von Korff.

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MUSE - Will Of The People (Indie Exclusive Cream vinyl)

Label: Century Media

Continuing the fearless exploration of their legendary sound’s outer limits, UK’s Grindcore pioneers NAPALM DEATH return with “Resentment is Always Seismic – a final throw of Throes”, a partner recording to their much acclaimed “Throes Of Joy In The Jaws Of Defeatism” album from 2020. Concluding matters through vital, tumultuous Grindcore and shockwave ambience, this 8-track mini-album with all previously unreleased material - including Bad Brains and SLAB! cover versions - and with a playing time of 29 minutes.

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NAPALM DEATH - Resentment is Always Seismic: A Final Throw Of Throes LP

Label: Warner

Double gatefold vinyl. the incredible muse release their sixth studio album 'the 2nd law' on helium 3 / warner records. 'the 2nd law' is the follow-up to 2009's 'the resistance' and was recorded in london. it contains a total of 13 tracks. the album includes recent single 'survival' and dubstep-influenced track 'unsustainable'. other songs range from classic rock to electro pop to piano ballads orchestral sweeps.

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MUSE - 2nd Law 2xLP (180-gram vinyl)

Label: Drastic Plastic

The Muffs erupted onto the California music scene in the early 90s and debuted their first, self-titled album in May 1993. The high-energy quartet features Ramones-style power-chords combined with the punk power pop of Blondie. The album includes such gems as radio hit "Lucky Guy" and Angry Samoans cover "Stupid Jerk." Now reissued as standard weight vinyl.

THE MUFFS - The Muffs LP